Yusuf Arakkal - Siebdruck „Mann in Not“ - Verkauft
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- Beschreibung
- Yusuf Arakkal (1945-2016)
| Art des Kunstwerks | Grafik (Hand signiert) |
| Jahr | 2001 |
| Technik | Siebdruck |
| Träger | Papier |
| Gerahmt | Nicht gerahmt |
| Maße | 50.5 x 61 cm (h x b) |
| Signiert | Hand signiert |
| Auflage | 12/125 |
Übersetzt mit Google Translate. Originaltext anzeigen .
Zeefdruk, gesigneerd, gedateerd, genummerd en getiteld in potlood.
Verzending tussen twee platen, 9,25, aangetekend 11,20
Arakkal received the prestigious Lorenzo De Medici Gold Medal, at Florence Internazionale Biennale, in Florence, Italy for his work Bacon’s Man with the Child and Priest. The artist produced a large collection of miscellaneous works consisting of drawings, paintings, sculptures, murals, paper works, prints and writing.[10][11]
He won several other awards including Karnataka Lalithkala Academy award in 1979 and 1981, a national award in 1983, a special award at the third Asian Art Biennale Dhaka, Bangladesh in 1986 and the Karnataka Lalithkala Academy honor in 1989.[12]
Arakkal's paintings are singularly expressionistic in style. In them one could trace the artist's deep concern for man and society. Set against a dark, oppressive background are the faceless figures of ordinary people expressing brooding loneliness and despair brought on by a society obsessively drawn towards material success where ordinary people have no place.
Verzending tussen twee platen, 9,25, aangetekend 11,20
Arakkal received the prestigious Lorenzo De Medici Gold Medal, at Florence Internazionale Biennale, in Florence, Italy for his work Bacon’s Man with the Child and Priest. The artist produced a large collection of miscellaneous works consisting of drawings, paintings, sculptures, murals, paper works, prints and writing.[10][11]
He won several other awards including Karnataka Lalithkala Academy award in 1979 and 1981, a national award in 1983, a special award at the third Asian Art Biennale Dhaka, Bangladesh in 1986 and the Karnataka Lalithkala Academy honor in 1989.[12]
Arakkal's paintings are singularly expressionistic in style. In them one could trace the artist's deep concern for man and society. Set against a dark, oppressive background are the faceless figures of ordinary people expressing brooding loneliness and despair brought on by a society obsessively drawn towards material success where ordinary people have no place.
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