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Very large work, painted by Anton Heyboer.
Painted by Anton Heyboer in 1992 with pastel on Hahnemühle paper.
Luxuriously framed.
Dimensions of work: 76 cm x 106 cm
Frame size: 108.5 x 135 cm
Presentation: Four women
Heyboer was born in Sabang, on the Indonesian island of Pulau Weh (north of Sumatra), the son of a mechanical engineer. Five months later, the family moved to Haarlem, in 1925 to Delft, in 1929 to Voorburg, and from 1933 to 1938, the family lived in Curaçao. A stay in New York followed. Heyboer trained as a mechanical engineer. Before the outbreak of World War II, the family returned to Haarlem. In 1943, Heyboer was arrested by the Germans as part of the Arbeitseinsatz (Labour Deployment) and transferred to a transit camp for foreign forced laborers in Prenzlauer Berg (Berlin). He managed to escape and, traumatized, fled to the Netherlands, where he worked on the farm in Vinkeveen.
After the Second World War, he settled in Borger and held his first exhibition in Drouwen in 1946. That same year, he left for Haarlem and met his future wife, Elsa (Puk) Wijnands. After a trip of several months with Jan Kagie through southern France in 1948, he returned to Haarlem and married Elsa Wijnands, with whom he would have a son two years later[1], but who decided to divorce him as early as 1953. In 1951, Heyboer was admitted for a time to the Santpoort psychiatric hospital in Bloemendaal as a result of the war trauma. In September 1956, Heyboer married Erna Kramer, with whom he would remain for seven years and have one daughter. In 1961, he settled on a farm in Den Ilp. He initially lived there with three, later with five, women. Heyboer drew, painted, and etched. His wives took care of the sales.