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Lithograph by Guido Biasi. Dimensions including passe-partout: H40 x W28cm. Dimensions representation: H25 x W19.5cm. The work is signed in the print by the artist. The work comes from Derrière le Miroir.
When purchasing, the work can be picked up in 's-Gravenzande (near The Hague (Scheveningen), Rotterdam and Delft and 5 minutes from the beach). The term for collection, if paid in advance, is very long, in other words, the buyer can collect the work weeks or even months later and, if possible, combine it with a visit to one of the aforementioned cities or the beach. We can also send the work via Postnl. Our shipping days are Tuesday and Thursday.
Guido Biasi painter, born in Naples in 1933. Guido Biasi studied at the Artistic High School and at the College of Fine Arts in his hometown. In 1954 he became a member of Movimento di Pittura Nucleare (Nuclear Painting Movement) and in 1957 he signed the Abisola Marina Manifesto with Colucci, Piero Manzoni, Sordini and Verga. The following year he took part in the creation of "Gruppo 58" - with Luca (Luigi Castellano), Del Pezzo, Di Bello and Fergola. He wrote down the group's manifesto. From 1959 he worked for the reviews "Documento sud" and "Linea sud". In 1960 he was in New York where he participated in the International Exhibition of Surrealism; "Surreal Intrusion into the Magicians' Domain", by André Breton and Marcel Duchamp. In the same year he moved to Paris, where he stayed. In the first years of his life in Paris, he attended the group "Phases"; he worked for the homonymous review, and also for the review "Edda", published in Brussels. From 1968 he often went back to Milan, also for longer stays. He dies in Paris in 1983. The list of his one-man exhibitions shows the great interest that galleries across Europe have had in his work since the early 1960s. He was in Basel, Frankfurt, Hamburg, Cologne, London, Paris. In 1964 he was in New York and again in Brussels, Amsterdam, Stockholm, Grenoble, Malmoe, Bourges, Château roux, etc. In Italy we remember his presence at the Venice Biennale (1972 and 1978), Quadriennale di Roma (1972 ). His presence at the Stedelijk Museum in Amsterdam (1969), at the invitation to the Biennale Internazionale in Sao Paulo, Brazil (1972) and the XXV Salone della Giovane Pittura di Parigi (1974), was very important. Some of the most qualified scientists have written about him in Italy. Among them: Barilli, Caramel, Crispol-ti, Fagone, Menna, Sanguineti, Schwarz and Varga.