JCJ VANDERHEYDEN - Japanese most important person (Ryoan-Ji, Kyoto) | 1996
- Description
- JCJ VANDERHEYDEN (1928-2012)
| Type of artwork | Photography |
| Year | 1996 |
| Technique | Silver print (Classical Photo) |
| Framed | Not framed |
| Dimensions | 10 x 15 cm (h x w) |
| Signed | Unsigned |
Translated with Google Translate. Original text show .
Beautiful work by JCJ Vanderheyden.
Photo mounted on a bottom sheet. An interesting detail here is that the photo is placed off-center, which gives the whole an intriguing composition.
'Seeing is a brain activity that is equivalent to thinking and hearing'.
JCJ Vanderheyden relies on visual perception in his paintings, prints, photographs and catalogues. Observing and recording phenomena such as light, space and time have a first priority. This research led to the construction of small cabins in the early 1970s, so-called camera obscuras, in which he stayed for days to observe the relationship between inside and outside. The eye is his guideline, and it is not without reason that the convexity, inherent to the eye as a physical organ, appears in much of his work. For Vanderheyden, seeing means creating.
'Ultimately a person creates what he fixes his gaze on. The creation of space goes hand in hand with the expansion of consciousness.
Vanderheyden also places his own position at the center of the image. Using Polaroid and video, he captures the studio with the works of art and sometimes his own presence therein as elements of composition. In this way he creates an interaction between original, reproduction and space. In the catalogs he compiled himself, the studio photos are often placed next to reproductions of his paintings. His work is based on the infinite reproducibility of images, where images of images are processed by the artist in a ritual process. For each work, the viewer can ask himself what it is he is looking at. Subtle changes, such as enlargement or reduction of the image in another medium, make the viewer aware of the enormous impact of the reproduced image as a representation of reality.
Issued for Pensinsula 44c. The whole is in new condition.
Photo mounted on a bottom sheet. An interesting detail here is that the photo is placed off-center, which gives the whole an intriguing composition.
'Seeing is a brain activity that is equivalent to thinking and hearing'.
JCJ Vanderheyden relies on visual perception in his paintings, prints, photographs and catalogues. Observing and recording phenomena such as light, space and time have a first priority. This research led to the construction of small cabins in the early 1970s, so-called camera obscuras, in which he stayed for days to observe the relationship between inside and outside. The eye is his guideline, and it is not without reason that the convexity, inherent to the eye as a physical organ, appears in much of his work. For Vanderheyden, seeing means creating.
'Ultimately a person creates what he fixes his gaze on. The creation of space goes hand in hand with the expansion of consciousness.
Vanderheyden also places his own position at the center of the image. Using Polaroid and video, he captures the studio with the works of art and sometimes his own presence therein as elements of composition. In this way he creates an interaction between original, reproduction and space. In the catalogs he compiled himself, the studio photos are often placed next to reproductions of his paintings. His work is based on the infinite reproducibility of images, where images of images are processed by the artist in a ritual process. For each work, the viewer can ask himself what it is he is looking at. Subtle changes, such as enlargement or reduction of the image in another medium, make the viewer aware of the enormous impact of the reproduced image as a representation of reality.
Issued for Pensinsula 44c. The whole is in new condition.
| Condition | |||||||||||
| Condition | Mint condition | ||||||||||
| Shipment | |||||||||||
| Pick up | The work can be picked up on location. As a buyer you must bring your own packaging materials. The location is: Woudrichem, The Netherlands | ||||||||||
| Shipment | Parcel post | ||||||||||
| Price | Up to 10 kg.
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| Guarantee | |||||||||||
| Guarantee | By putting the item up for auction, I agree with the Terms of Guarantee as they are applicable at Kunstveiling regarding the accuracy of the description of the item | ||||||||||
The seller takes full responsibility for this item. Kunstveiling only provides the platform to facilitate this transaction, which has to be settled directly with the seller. More information.
DutchAuction details
| Start time | 16-4-2024 at 20:00 |
| End time | 22-4-2024 at 22:31 |
Starting bid €100
Buyer's premium: 15%
| Pick up | Yes, possible |
| Location | Woudrichem, The Netherlands |