Paul Citroen - Palette, l'édition originale de 1931 ! plus : la collection d'art de Citroën
Ruloff S.A. Manuputty - Contre
Jörg Remé - et autres : six sérigraphies signées à la main : Compositions Florales
Jörg Remé - et autres : six sérigraphies signées à la main : Compositions diverses
Type d'œuvre d'art | Objets ethnographiques |
Période | 1945 à 1999 |
Technique | Bois |
Style | Africain |
Sujet | Figure |
Dimensions | 27 x 8 x 8 cm (h x l x p) |
Iv. Coast: Tribal used African Baule short pestle.
Height: 27 cm.
Hand carved from a single piece of wood, with color pigments.
Taxatiewaarde; 175- 225 euro
The Baule people is one of the largest ethnic group in the Côte d'Ivoire. They have played a central role in twentieth-century history of the country. They waged the longest war of resistance to French colonization of any West African people, and maintained their traditional objects and beliefs longer than many groups in such constant contact with European administrators, traders, and missionaries. The Baule belong to the Akan peoples who inhabit Ghana and Côte d'Ivoire. According to a legend, during the eighteenth century, the queen, Abla Poku, had to lead her people west to the shores of the Comoe, the land of Senufo. In order to cross the river, she sacrificed her own son. This sacrifice was the origin of the name Baule, for baouli means “the child has died.” Now about one million Baule occupy a part of the eastern Côte d'Ivoire between the Komoé and Bandama rivers that is both forest and savanna land. Baule society was characterized by extreme individualism, great tolerance, a deep aversion toward rigid political structures, and a lack of age classes, initiation, circumcision, priests, secret societies, or associations with hierarchical levels. Each village was independent from the others and made its own decisions under the presiding presence of a council of elders. Everyone participated in discussions, including slaves. It was an egalitarian society. The Baule compact villages are divided into wards, or quarters, and subdivided into family compounds of rectangular dwellings arranged around a courtyard; the compounds are usually aligned on either side of the main village street.
État | |||||||||||
État | Très bon | ||||||||||
Expédition | |||||||||||
Retrait sur place | L'œuvre peut être récupérée sur place. En tant qu'acheteur, vous devez apporter vos propres matériaux d'emballage. L'emplacement est : Hengelo, Les Pays-Bas | ||||||||||
Envoi | Colis postal | ||||||||||
Prix | Jusqu'à 10 kg.
| ||||||||||
Garantie | |||||||||||
Garantie | En mettant le lot en vente, j'accepte les conditions de garantie telles qu'elles s'appliquent sur Kunstveiling en ce qui concerne l'exactitude de la description du lot mis aux enchères |
Le vendeur assume l'entière responsabilité de ce lot. Kunstveiling ne fait que fournir la plate-forme pour cette transaction, à finaliser directement avec le vendeur. Plus d'informations.
Retrait sur place | Oui, c'est possible |
Le lot se trouve à | Hengelo, Les Pays-Bas |
Heure de début | 12-9-2022 à 19:09 |
Heure de fin | 10-2-2023 à 18:29 |