Thanh Chuong - Vietnam - Hanoi school of Art - lakwerk - "playing with the Buffalo" gesigneerd - Vendu
Ce lot a été vendu Afficher le lot
Hugo Claus - Composition des cobras
Mise à prix
95 €
Enchérir 
Mise à prix
100 €
Enchérir 
Peter Klashorst - Acrylique sur toile, MAXIMA – 120 x 85 cm - 2017
Enchère actuelle
130 €
19 enchères
Enchérir 
Karen van Noort - Fleur du DESERT
Mise à prix
80 €
Enchérir 
- Description
- Thanh Chuong (1949)
| Type d'œuvre d'art | Peintures |
| Année | 1997 |
| Technique | Techniques mixtes |
| Support | Panneau |
| Sujet | Figures |
| Encadré | Non encadré |
| Dimensions | 60 x 40 cm (h x l) |
| Signé | Signé à la main |
Traduit avec Google Translate. Texte original afficher .
- Thanh Chuong was born in 1949 in Bac Ninh Province to a highly intellectual and artistic family. His father was the famous writer Kim Lan, one of the founders of the Vietnam Association of Writers.
Thanh Chuong was thought to be a child prodigy as he began drawing at the age of seven. From 1956 to 1960, he was associated with many art competitions for children in Vietnam and several countries. He won prizes in several contests from very young age, and the most notable was a gold medal for his painting "Doi Ga To” in London competition in 1957. In 1960 he was accepted into a small class for gifted students at the Vietnam Institute of Fine Art. His first art teachers were Vietnam’s leading figures such as Nguyen Sang, Bui Xuan Phai, and Nguyen Tu Nghiem.
Thanh Chuong’s main medium is lacquer. For years he has been researching and developing the art of lacquer to its height. This has made him a master painter of lacquer, a unique medium of fine art. He has been constantly experimenting, creating and renovating. He has his own technical secret that distinguishes himself from other Vietnamese lacquer painters.
Thanh Chuong’s subjects of inspiration have been Vietnamese rural life, family, love and self-portrait. The artist has a very individual and unique way of looking at the world, paired with an intelligent and flexible aesthetic sensibility. For Thanh Chuong, art has become his way of life, his vision, and his own personal school of thought. His paintings embody a profound folk sensibility, from the subject matter to the use of colours and lines, and the conventionalised and decorative shapes. It could be said that his paintings are Vietnamese modern folk art.
During the war, Thanh Chuong became a soldier and served in the army for 8 years. He was a bomb diffuser, at the same time taught art to his fellow soldiers. After the war, Thanh Chuong worked as lead designer for the Van Nghe Journal from its foundation until his retirement. He was a leading illustrator for books and magazines in Vietnam.
Being a freelance artist, Thanh Chuong's paintings were not displayed at State exhibitions before the Doi Moi (Reform) in Vietnam. Only in 1994, after Vietnam implemented open-door policy, his first solo exhibition was stage in Song Hong Gallery in Hanoi, and was highly regarded. Since then he has been exhibiting his artworks several times in Vietnam and overseas.
Thanh Chuong has become a phenomenon, who takes up a very bold and novel conception of art. He is seen as an initiator of the new movement called "the Vietnamese art movement" that aims to escape the heavy influence and dependence on the French painting style, and to help developing Vietnam’s modern fine art with a unique national identity. His work represents a pivotal point in Vietnamese culture and art. His influence has inspired greater diversification and enrichment of artistic knowledge among people and specialists alike.
In 2001 Thanh Chuong’s work "Love" was chosen by the United Nations as the symbol for the International Year of Volunteers, and he became the first Asian painter who had a painting printed on the UN stamps. In 2012, Thanh Chuong was named one of the "50 Pioneers of All Time" for his personal achievements, his revolutionary contributions to the development of the society and communities. He was also featured in Vietnamese media, Times, The New York Times, NHK Televisions, CNN and The Telegraph.
| État | |||||||||||
| État | Bon | ||||||||||
| weinig zichtbare onregelmatigheden. | |||||||||||
| Expédition | |||||||||||
| Retrait sur place | L'œuvre peut être récupérée sur place. En tant qu'acheteur, vous devez apporter vos propres matériaux d'emballage. L'emplacement est : Amsterdam, Les Pays-Bas | ||||||||||
| Envoi | Colis postal | ||||||||||
| Prix | Jusqu'à 5 kg.
| ||||||||||
| Garantie | |||||||||||
| Garantie | En mettant le lot en vente, j'accepte les conditions de garantie telles qu'elles s'appliquent sur Kunstveiling en ce qui concerne l'exactitude de la description du lot mis aux enchères | ||||||||||
Le vendeur assume l'entière responsabilité de ce lot. Kunstveiling ne fait que fournir la plate-forme pour cette transaction, à finaliser directement avec le vendeur. Plus d'informations.
Thanh Chuong (1949)
insulaire viergeMis en vente par Artpointamsterdam
Membre depuis 2013
3871 lots vendus
Tous les lots de ce vendeur (113)
40 cm
60 cm
| Retrait sur place | Oui, c'est possible |
| Le lot se trouve à | Amsterdam, Les Pays-Bas |
Détails de la vente
| Heure de début | 18-7-2021 à 20:51 |
| Heure de fin | 25-7-2021 à 22:34 |
Enchères (4)
Connexion ou s'inscrire pour afficher l'historique des enchères