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Description Cambridge & New York, 1926. (xiii), 205, (19) pp. Full cloth binding designed by Emil Rudolf Weiss who also designed the back pages. Edition limited to 1370 copies, this is one of the 1250 copies laid on antique paper. The Fleuron is considered one of the most remarkable typographical periodicals of the twentieth century. It achieved an international reputation, not only for the quality of its articles, but also for the quality of its production. As quoted by Grant Shipcot in 'Typographical Periodicals Between the Wars', the core of the contributors to 'The Fleuron' were also 'taking the typographical initiative of the time; This applied particularly to Stanley Morison, who exerted a very great influence as a typographical advisor to the Monotype Corporation and later to Cambridge University Press. Among the contributors to the current volume we find Julius Rodenberg on Klinspor with lists of books and various tipped in type and page copies of Koch, Harwerth, etc.; Paul Istel on Laboureur with original engravings and page copies; Paul Beaujon (Beatrice Warde) on Garamond and Stanley Morison, whose article is titled: "Towards an ideal italic".
Condition
Condition
Good
Traces of the ravages of time are visible, such as brown spots on the paper. The book is otherwise in perfect condition.
Shipment
Pick up
The work can be picked up on location. As a buyer you must bring your own packaging materials. The location is: Velp, The Netherlands
Shipment
Parcel post
Price
Up to 10 kg.
Within The Netherlands
€8.75
Within EU
€25.00
Worldwide
€65.00
To Belgium
€25.00
To Germany
€25.00
Guarantee
Guarantee
By putting the item up for auction, I agree with the Terms of Guarantee as they are applicable at Kunstveiling regarding the accuracy of the description of the item
Consumer law
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