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Marcel Joosen (1943) 
| Technique | Mixed media |
| Dimensions | 14 x 5 x 4 cm (h x w x d) |
| Weight | 530 g |
Pepe Gregoire (1950) Center of the Fleeing Force, bronze statue
| Technique | Bronze |
| Dimensions | 26 x 10 x 8 cm (h x w x d) |
| Weight | 3030 g |
Bert Kiewiet (1918-2008) District nursing
| Technique | Bronze |
| Dimensions | 28 x 21 x 12.5 cm (h x w x d) |
| Signed | Unsigned/Print signed |
Eldon Garnet (1946) 
| Technique | Aluminum |
| Dimensions | 4 x 46 cm (h x w) |
| Signed | Hand signed |
Evert den Hartog (1949) SATYR
| Technique | Bronze |
| Pedestal | With fixed pedestal |
| Dimensions | 32 x 25 x 27 cm (h x w x d) |
| Signed | Unsigned/Print signed |
Aat Veldhoen (1934-2018) Faun and bird, bronze sculpture on pedestal (large, heavy, unique)
| Technique | Bronze |
| Dimensions | 87 x 77 x 30 cm (h x w x d) |
| Signed | Hand signed |
James Coignard (1925-2008) 
| Technique | Glass |
| Dimensions | 51 x 35 x 10 cm (h x w x d) |
| Weight | 18800 g |
| Signed | Hand signed |
Jeroen Henneman (1943) Twenty-five stacks, metal 3-D object
| Technique | Iron |
| Dimensions | 40 x 30 x 3 cm (h x w x d) |
| Weight | 4700 g |
| Signed | Hand signed |
Siem Wardenaar (1934) SEATED FEMALE NAKED
| Technique | Bronze |
| Dimensions | 45 x 22 x 20 cm (h x w x d) |
| Weight | 7600 g |
| Signed | Unsigned/Print signed |
Jan Stroosma (1928-1983) PENDERECHI “Victims of Heroshima” (From a series inspired by contemporary music)
| Technique | Iron |
| Pedestal | With fixed pedestal |
| Dimensions | 60 x 44 x 7 cm (h x w x d) |
| Weight | 13000 g |
| Signed | Hand signed |
Anton Heyboer (1924-2005) Innocence - Signed figurine
| Technique | Ceramic |
| Dimensions | 14 x 16 x 5 cm (h x w x d) |
| Signed | Hand signed |
Micah Lexier (1960) Envelope with coin multiple - “Gallery Hours”, Physics Room 2002
| Technique | Bronzed |
| Dimensions | 11 x 6 x 1 cm (h x w x d) |
| Signed | Unsigned/Print signed |
Jaap Ploos van Amstel (1926) 1960s mixed media - "Packed artillery" - signed
| Technique | Mixed media |
| Framed | Only in Passe-partout |
| Dimensions | 39 x 49 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Industria Vetraria Valdarnese (IVV) (1952) 
| Dimensions | 20 x 17 x 8 cm (h x w x d) |
| Signed | Marked/Brand sticker |
Karl Quarck (1869-1950) 
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 50 x 57 cm (h x w) |
| Signed | Hand signed |
| Support | Marouflé |
Jan Sluijters (1881-1957) Sleeping baby
| Technique | Offset |
| Framed | Framed |
| Dimensions | 41 x 37 cm (h x w) |
| Signed | Unsigned/Print signed |
Masao Ido (1945-2016) 
| Technique | Wood/Linocut |
| Framed | Only in Passe-partout |
| Dimensions | 20 x 30 cm (h x w) |
| Signed | Unsigned/Print signed |
Tjalf Sparnaay (1954) The Scales
| Technique | Lithograph |
| Framed | Framed |
| Dimensions | 86 x 106 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Ruud-Jan Kokke (1956) Wooden stool, Portable stool Tc - Spectrum
| Dimensions | 43 x 32.5 x 26 cm (h x w x d) |
| Signed | Marked/Brand sticker |
Gert Hendriksen (1922-1993) Landscape along the water
| Technique | Aquarelle |
| Framed | Framed |
| Dimensions | 53.5 x 66 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Theo Mackaay (1950) It Takes Two to Tango
| Technique | Lithograph |
| Framed | Framed |
| Dimensions | 55 x 43 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Hendrikus Roodenburg (1895-1987) Purchasing Combination Netherlands in Amsterdam
| Technique | Etching |
| Framed | Only in Passe-partout |
| Dimensions | 32.5 x 24 cm (h x w) |
| Signed | Hand signed |
| Support | Handmade Paper |
Jurrien Marinus Beek (1879-1965) View of a park
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 19 x 24 cm (h x w) |
| Signed | Hand signed |
| Support | Panel |
Eva Haskova (1949) 
| Technique | Silkscreen |
| Dimensions | 48 x 32 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Jiri Sliva (1947) Liberation
| Technique | Silkscreen |
| Dimensions | 25 x 17 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Jan Kelderman (1914-1990) The Shell Fisherman
| Technique | Oil paint |
| Dimensions | 30 x 40 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Alfredo De La Maria (1945) 
| Technique | Lithograph |
| Dimensions | 69 x 87 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Rene Boin (1953) Unknown
| Technique | Silkscreen |
| Framed | Framed |
| Dimensions | 30.5 x 40.5 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Corry Ammerlaan (1947) 70 Year Membership
| Technique | Bronze |
| Dimensions | 29 x 15.5 x 10 cm (h x w x d) |
| Signed | Hand signed |
Bart Reindersma (1953) Dromedary/Enkhuizen
| Technique | Etching |
| Framed | Framed |
| Dimensions | 28.5 x 34.5 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Gilbert Declercq (1946) 
| Technique | Mixed media |
| Framed | Framed |
| Dimensions | 60 x 60 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Corrie Bos (1928) unknown
| Technique | Aquarelle |
| Framed | Framed |
| Dimensions | 53 x 39.5 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Tennis Bracelet
| Technique | Diamond |
| Dimensions | 18 x 0.2 x 0.2 cm (h x w x d) |
| Weight | 2.55 g |
| Signed | Belgian hallmark |
David Lavington (1951) 
| Technique | Silkscreen |
| Framed | Framed |
| Dimensions | 55.5 x 40.5 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Jenny Homan (1942) The detached house
| Technique | Offset |
| Framed | Framed |
| Dimensions | 66 x 51 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Theo Mackaay (1950) On familiar ground
| Technique | Lithograph |
| Framed | Framed |
| Dimensions | 58 x 47 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Piotr Konkel (1963) 
| Technique | Silkscreen |
| Framed | Framed |
| Dimensions | 58 x 48 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Frans Hogenberg (1538-1590) Frans Hogenberg (workshop) – Relief of Knodsenburg near Nijmegen, 1591 – no...
| Technique | Etching/Aquatint |
| Framed | Framed |
| Dimensions | 30 x 36 cm (h x w) |
| Signed | Unsigned/Print signed |
Jan Teunissen (1949) Pumpkins and grapes in a pewter dish
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 55 x 65 cm (h x w) |
| Signed | Hand signed |
| Support | Panel |
Masayuki Miyata (1926-1997) Umibenite - On the Coast
| Technique | Wood/Linocut |
| Dimensions | 45.5 x 34 cm (h x w) |
| Signed | Hand signed |
| Support | Japanese Paper |
Erik Oldenhof (1951) Broft Gallery Leerdam - acrylic paint on paper - abstract composition - framed
| Technique | Acrylic |
| Dimensions | 51.5 x 81.5 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Hjorth Keramiek (1859) 
| Dimensions | 13 x 12 x 12 cm (h x w x d) |
| Weight | 550 g |
| Signed | Marked/Brand sticker |
Alexander Repka (1967) 
| Technique | Pencil |
| Framed | Framed |
| Dimensions | 52 x 42 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Alexander Repka (1967) Back view of a woman
| Technique | Pencil |
| Framed | Framed |
| Dimensions | 52 x 42 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Imanol Marrodán (1964) 
| Technique | Digital print |
| Dimensions | 18 x 27 cm (h x w) |
| Signed | Hand signed |
Alexander Repka (1967) Back view of a seated woman
| Technique | Pencil |
| Framed | Framed |
| Dimensions | 52 x 42 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Theo Mackaay (1950) Being goal-oriented
| Technique | Lithograph |
| Dimensions | 45 x 32 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Alexander Repka (1967) Back view of a woman in motion
| Technique | Pencil |
| Framed | Framed |
| Dimensions | 52 x 42 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Alexander Repka (1967) Woman with hands on her head
| Technique | Pencil |
| Framed | Framed |
| Dimensions | 52 x 42 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Marion Baars (1944) Flower Still Life (original watercolor)
| Technique | Aquarelle |
| Framed | Framed |
| Dimensions | 85 x 70 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |