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Hajime Namiki (1947) 
| Technique | Wood/Linocut |
| Dimensions | 25.5 x 41.5 cm (h x w) |
| Signed | Hand signed |
| Support | Japanese Paper |
Constantin Brancusi (1876-1957) 
| Technique | Hardcover |
| Dimensions | 31 x 25 cm (h x w) |
Ricky Damen-Vereijken (1946) 
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 80 x 70 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Peter Klashorst (1957-2024) Screen print, Yellow Princess
| Technique | Silkscreen |
| Dimensions | 90 x 61 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Wouter Stips (1944) Untitled
| Technique | Silkscreen |
| Framed | Only in Passe-partout |
| Dimensions | 35 x 51 cm (h x w) |
| Signed | Hand signed |
| Support | Handmade Paper |
New silver pendant in the shape of a four-leaf clover with Turquoise
| Technique | Silver |
| Dimensions | 1.2 x 2.2 x 3.5 cm (h x w x d) |
| Weight | 5.3 g |
| Signed | Dutch hallmark |
Jan Willem Versteeg (1952) The Bridge
| Technique | Oil paint |
| Dimensions | 45 x 60 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
New handcrafted beautiful amber heart-shaped sterling silver bracelet
| Technique | Silver |
| Dimensions | 4 x 22 x 2.2 cm (h x w x d) |
| Weight | 24.2 g |
| Signed | Dutch hallmark |
Noor Sternheim (1943) HMS Fearless
| Technique | Etching/Aquatint |
| Framed | Framed |
| Dimensions | 65 x 50 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Jan Kind (1960) Untitled, Reverence number: GN051
| Technique | Mixed media |
| Dimensions | 179 x 160 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Michiel Brink (1949) The green city
| Technique | Wood/Linocut |
| Dimensions | 14.8 x 21 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Death NYC (1979) 
| Technique | Mixed media |
| Dimensions | 7 x 16 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Death NYC (1979) Collage on American Dollar | 'Brigitte Bardot/Chanel no.5' | 2015
| Technique | Mixed media |
| Dimensions | 7 x 16 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Séphina (1939) White Impression
| Technique | Acrylic |
| Framed | Framed |
| Dimensions | 104.5 x 124 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
18k gold ring with opal surrounded by brilliant-cut diamonds up to 1.05ct
| Technique | Gold |
| Dimensions | 0.78 x 2.7 cm (h x w) |
| Weight | 9.9 g |
| Signed | Dutch hallmark |
Marlene Dumas (1953) 
Lot of 2 art editions
| Technique | Soft cover |
| Dimensions | 29 x 25 cm (h x w) |
Imanol Marrodán (1964) 
| Technique | Giclée |
| Dimensions | 40 x 65 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
14k yellow gold earrings set with pearl and brilliant-cut diamond 0.30ct
| Technique | Gold |
| Dimensions | 2 x 0.94 cm (h x w) |
| Weight | 6.6 g |
| Signed | Dutch hallmark |
18k bicolour gold stud earrings set with brilliant-cut diamonds up to 0.10ct
| Technique | Gold |
| Dimensions | 1.3 x 0.74 cm (h x w) |
| Weight | 2.8 g |
| Signed | Dutch hallmark |
18k white gold drop earrings with pearl and brilliant-cut diamond up to 0.40 ct
| Technique | Gold |
| Dimensions | 1.9 x 0.8 cm (h x w) |
| Weight | 3.6 g |
| Signed | Dutch hallmark |
Sjer Jacobs (1963) Bronze woman seated
| Technique | Bronze |
| Dimensions | 14 x 5 x 5 cm (h x w x d) |
| Weight | 786 g |
| Signed | Hand signed |
18k gold clasp with pearl and garnet bead necklace - 42 cm
| Technique | Gold |
| Dimensions | 0.6 x 1.7 cm (h x w) |
| Weight | 14.6 g |
| Signed | Dutch hallmark |
14k yellow gold necklace with pendant with diamonds up to 0.30 ct - 45cm
| Technique | Gold |
| Dimensions | 1.7 x 0.8 cm (h x w) |
| Weight | 3.9 g |
| Signed | Dutch hallmark |
14k white gold necklace and pendant with pearl and 0.10ct diamond
| Technique | Gold |
| Dimensions | 2 x 0.7 cm (h x w) |
| Weight | 2.9 g |
| Signed | Dutch hallmark |
Corneille (1922-2010) 
| Technique | Ceramic |
| Dimensions | 3 x 12 x 12 cm (h x w x d) |
| Signed | Printed signature |
Jack Vissers (1956) New Imperfecta nr. 5
| Technique | Acrylic |
| Dimensions | 60 x 60 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Kees Salentijn (1947) Screen printing - small edition
| Technique | Silkscreen |
| Framed | Framed |
| Dimensions | 43 x 33 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Bernard Buffet (1928-1999) A controversial oeuvre
| Technique | Hardcover |
| Dimensions | 30 x 24.5 cm (h x w) |
Geert Jan Jansen (1944) 2 monographs
| Technique | Hardcover |
| Dimensions | 31 x 23 cm (h x w) |
Paul van Groningen (1955) Lovers
| Technique | Silkscreen |
| Framed | Framed |
| Dimensions | 30 x 24 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Panamarenko (1940-2019) Thermovoltaic energy converter
| Technique | Computer print |
| Framed | Framed |
| Dimensions | 25 x 20 cm (h x w) |
| Signed | Unsigned/Print signed |
Frans Ottink (1961) Two cobalt blue ceramic bowls
| Dimensions | 2 x 14 x 14 cm (h x w x d) |
| Signed | Marked/Brand sticker |
Hannes D'Haese (1965) Female
| Technique | Plastic |
| Dimensions | 26 x 30 x 11 cm (h x w x d) |
| Weight | 644 g |
| Signed | Hand signed |
Wout van der Vet (1944-2021) Protection
| Technique | Silkscreen |
| Dimensions | 56 x 76 cm (h x w) |
| Signed | Hand signed |
| Support | Handmade Paper |
Carolina Paulussen (1963) Untitled
| Technique | Silkscreen |
| Dimensions | 91 x 60 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Sophie Mellema (1945) Acrylic on panel, Heaven on Earth I diptych - Framed
| Technique | Acrylic |
| Framed | Framed |
| Dimensions | 102 x 167 cm (h x w) |
| Signed | Hand signed |
| Support | Panel |
Han Groot (1921-2009) Two naked women seen from the back.
| Technique | Aquarelle |
| Framed | Framed |
| Dimensions | 83 x 63 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Wytze Monna (1946) Twice Little Brown Bear, or am I seeing double?
| Technique | Etching/Aquatint |
| Dimensions | 33 x 50 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Godwin Adjei Sowah (1978) 
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 89 x 89 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Annora Spence (1963) 
| Technique | Silkscreen |
| Framed | Framed |
| Dimensions | 53 x 53 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Anke Peddemors (1947) Diptych cats
| Technique | Acrylic |
| Framed | Framed |
| Dimensions | 18 x 13 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Benjamin Van Oost (1980) Golden hours
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 111 x 73 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Maaike Feih (1945-2015) The press must run in order to print
| Technique | Lithograph |
| Dimensions | 20 x 29 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Anke Peddemors (1947) Boxer dog Sam
| Technique | Acrylic |
| Dimensions | 30 x 30 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Dimmen Gestel (1862-1945) Tower of
| Technique | Lithograph |
| Framed | Framed |
| Dimensions | 50 x 60 cm (h x w) |
| Signed | Unsigned/Print signed |
Benjamin Van Oost (1980) Black
| Technique | Acrylic |
| Framed | Framed |
| Dimensions | 30 x 20 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Hedwig Pauwels (1934) So that she could sleep
| Technique | Lithograph |
| Dimensions | 32 x 25.5 cm (h x w) |
| Signed | Hand signed |
| Support | Handmade Paper |
Nick Ervinck (1981) Deus Ex Machina
| Technique | Lithograph |
| Framed | Framed |
| Dimensions | 45 x 55 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Kamagurka (1956) The man who couldn't play football ...
| Technique | Lithograph |
| Framed | Framed |
| Dimensions | 38 x 32 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Roger Cremers (1971) MCMXXV 1925
| Technique | Lithograph |
| Dimensions | 44 x 60 cm (h x w) |
| Signed | Hand signed |
| Support | Handmade Paper |