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Bruno CANTAIS (1966) 
| Technique | Oil paint |
| Dimensions | 100 x 81 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Bruno CANTAIS (1966) Fashion Red
| Technique | Oil paint |
| Dimensions | 61 x 50 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Bruno CANTAIS (1966) The Relief
| Technique | Oil paint |
| Dimensions | 100 x 81 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Robbert Fortgens (1960-2024) 
| Technique | Monotype |
| Framed | Framed |
| Dimensions | 70 x 70 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Bruno CANTAIS (1966) Red Power
| Technique | Oil paint |
| Dimensions | 50 x 150 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Yoko Ono (1933) 
| Technique | Other |
| Dimensions | 177 x 152 x 1 cm (h x w x d) |
| Signed | Printed signature |
Marc Cuypers (1970) 
| Technique | Acrylic |
| Dimensions | 29 x 29 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Bernard Heesen (1958) Glass object, Very large orange vase
| Dimensions | 44 x 43 x 43 cm (h x w x d) |
| Signed | Unmarked |
Corneille (1922-2010) Flevoland
| Technique | Silkscreen |
| Dimensions | 40 x 60 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Andrew Clausen (1977) Slab-study AC24.S5
| Technique | Other |
| Dimensions | 19.8 x 12.8 x 3 cm (h x w x d) |
| Weight | 400 g |
| Signed | Hand signed |
Claus Bertermann (1965) 
| Technique | Oil paint |
| Framed | On stretcher |
| Dimensions | 160 x 100 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Poen de Wijs (1948-2014) The muse kisses the artist
| Technique | Lithograph |
| Dimensions | 40 x 30 cm (h x w) |
| Signed | Hand signed |
| Support | Handmade Paper |
Aykaz Arzumanyan (1977) 
| Technique | Oil paint |
| Dimensions | 20 x 20 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Hans Spiegeler (1959) Invisible Encounter
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 63 x 73 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Dmitri Kostylov (1968) 
| Technique | Oil paint |
| Framed | On stretcher |
| Dimensions | 40 x 30 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Daniel Maltzman (1963) Chihuahua - XL Acrylic Painting - Rich & Famous Artist
| Technique | Acrylic |
| Framed | On stretcher |
| Dimensions | 106 x 77 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Dmitri Kostylov (1968) Morning in Venice
| Technique | Oil paint |
| Dimensions | 89 x 54 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Norbert Bisky (1970) Signed record “Henrik Schwarz - Masse Remixes III " in plexi showcase
| Technique | Mixed printing techniques |
| Framed | Framed |
| Dimensions | 40 x 40 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Erwin van Krey (1959) Morandi
| Technique | Acrylic |
| Framed | On stretcher |
| Dimensions | 130 x 95 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Richard Smeets (1955) About roses
| Technique | Silkscreen |
| Framed | Framed |
| Dimensions | 38 x 38 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Gert Strengholt (1948) Happy family
| Technique | Acrylic |
| Framed | On stretcher |
| Dimensions | 90 x 70 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Xandra Donders (1962) E & A Part 2
| Technique | Silkscreen |
| Framed | Only in Passe-partout |
| Dimensions | 32 x 43 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Theo Bruggink (1942) Headlight
| Technique | Oil paint |
| Framed | On stretcher |
| Dimensions | 50 x 50 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Xandra Donders (1962) E & A
| Technique | Silkscreen |
| Framed | Only in Passe-partout |
| Dimensions | 32 x 43 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Piet Zwart (1885-1977) Statistical tables and letters.
| Technique | Silver print (Classical Photo) |
| Framed | Framed |
| Dimensions | 53 x 43 cm (h x w) |
| Signed | Hand signed |
Theo Bruggink (1942) gears and Circle 2
| Technique | Oil paint |
| Framed | On stretcher |
| Dimensions | 50 x 50 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Gert Strengholt (1948) The neighbors across the street
| Technique | Acrylic |
| Framed | On stretcher |
| Dimensions | 90 x 70 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Theo den Boon (1941) Abstract Oil Painting
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 75 x 90 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Xandra Donders (1962) Winter landscape
| Technique | Acrylic |
| Framed | Framed |
| Dimensions | 43 x 53 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Peter Buggenhout (1963) Kawamata - Emilio Lopez-Menchero - Ahmet Ogut - Superflex - Erik Van Lieshout
| Technique | Mixed media |
| Dimensions | 65 x 95 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Xandra Donders (1962) Winter landscape
| Technique | Acrylic |
| Framed | Framed |
| Dimensions | 43 x 53 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Fon Klement (1930-2000) Red table and chair
| Technique | Silkscreen |
| Framed | Only in Passe-partout |
| Dimensions | 73 x 73 cm (h x w) |
| Signed | Hand signed |
| Support | Handmade Paper |
Peter Stewart 
| Technique | C-Print |
| Framed | Framed |
| Dimensions | 101 x 151 cm (h x w) |
| Signed | Unsigned/Print signed |
Louise Marie Barnwell (1983) Louise Marie Barnwell
| Technique | Acrylic |
| Dimensions | 70 x 50 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Fernand Vanderplancke (1938) Horse
| Technique | Bronze |
| Dimensions | 13 x 6 x 11 cm (h x w x d) |
| Weight | 540 g |
| Signed | Hand signed |
SKEPA (1978) Chimera with a golden ball
| Technique | Mixed media |
| Framed | On stretcher |
| Dimensions | 50 x 40 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Eelco Maan (1962) Evensong
| Technique | Mixed media |
| Framed | Framed |
| Dimensions | 145 x 105 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Charlotte De Cock (1988) The Marquis
| Technique | Oil paint |
| Dimensions | 110 x 80 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Claus Costa (1971) 
| Technique | Mixed media |
| Framed | On stretcher |
| Dimensions | 80 x 130 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Elmar Gille (1947-2015) polder landscape (diptych)
| Technique | Etching |
| Framed | Framed |
| Dimensions | 62 x 87 cm (h x w) |
| Signed | Hand signed |
| Support | Handmade Paper |
TEHOS (1966) original draw Grand carré long - 2024 - 08
| Technique | Pencil |
| Dimensions | 65 x 50 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Dick Bruna (1927-2017) Miffy 70th Anniversary Memorial, Limited edition
| Technique | Silver |
| Dimensions | 6 x 6 cm (h x w) |
| Signed | Marked/Brand sticker |
Rosenthal (1879-2009) Elvira Bach Millennium Gallery - To Be a Woman
| Dimensions | 33 x 29 x 12 cm (h x w x d) |
| Signed | Marked/Brand sticker |
Erwin van Krey (1959) Morandi
| Technique | Acrylic |
| Framed | On stretcher |
| Dimensions | 110 x 95 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Frank Stroopman (1951) Sculpture
| Technique | Bronzed |
| Pedestal | With fixed pedestal |
| Dimensions | 15 x 8 x 4 cm (h x w x d) |
| Weight | 335 g |
Jacqueline Schäfer (1961) Strange bird
| Technique | Silkscreen |
| Framed | Framed |
| Dimensions | 58 x 48 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Paul de Lussanet (1940) signed biography, 2 catalogues and 2 invitation cards
| Technique | Soft cover |
| Dimensions | 23 x 16 cm (h x w) |