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Albert Hess (1895-1960) 
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 23 x 29 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Peter Oosterbos (1947) 
| Technique | Etching/Aquatint |
| Dimensions | 58 x 45 cm (h x w) |
| Signed | Hand signed |
| Support | Handmade Paper |
Séphina (1939) Oil painting 'Beauties'
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 62.5 x 82.5 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Yves Braun (1958) 
| Dimensions | 21 x 17 x 5 cm (h x w x d) |
| Weight | 2700 g |
| Signed | Hand signed |
Rein Kamphorst (1932) Untitled 177
| Technique | Mixed media |
| Dimensions | 89 x 89 cm (h x w) |
| Signed | Hand signed |
| Support | Panel |
Pascal Magis (1955-2011) 
| Technique | Acrylic |
| Framed | Framed |
| Dimensions | 123.5 x 123.5 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Johannes van Lingen (1903-1986) Forest path in Hollandsche Rading
| Technique | Gouache |
| Framed | Framed |
| Dimensions | 68 x 47 cm (h x w) |
| Signed | Hand signed |
| Support | Cardboard |
Cornel Kwint (1899-1996) Flower still life with fruit
| Technique | Gouache |
| Framed | Framed |
| Dimensions | 59 x 49.5 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Christel Selmouni (1946) large sepia / watercolor on paper painted in 1997 "Owl on branch"
| Technique | Brush (Ink) |
| Framed | Only in Passe-partout |
| Dimensions | 50 x 35 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Imbue (1988) 
| Technique | Plastic |
| Dimensions | 30 x 10 x 7 cm (h x w x d) |
| Weight | 1500 g |
| Signed | Hand signed |
Jan Simon Knikker (sr.) (1889-1957) View of the city
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 48 x 58 cm (h x w) |
| Support | Canvas |
Vintage 14-carat yellow gold cocktail ring with diamonds
| Technique | Gold |
| Dimensions | 2.4 x 1.6 cm (h x w) |
| Weight | 7.3 g |
| Signed | Dutch hallmark |
Andre Colpin (1939) Auhne
| Technique | Etching |
| Dimensions | 38 x 27 cm (h x w) |
| Signed | Hand signed |
| Support | Handmade Paper |
Charles Van Gisbergen (1942) Untitled
| Technique | Lithograph |
| Framed | Framed |
| Dimensions | 40 x 27 cm (h x w) |
| Signed | Hand signed |
| Support | Handmade Paper |
Charles Van Gisbergen (1942) Unnamed
| Technique | Lithograph |
| Framed | Framed |
| Dimensions | 47 x 37 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Piet in 't Hout (1879-1965) Harbor view
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 60 x 100 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Johan Hemkes (1894-1988) Etching by Balk - Fishing Net - framed -
| Technique | Etching |
| Framed | Framed |
| Dimensions | 31 x 46 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Cornel Kwint (1899-1996) Abundance
| Technique | Gouache |
| Framed | Framed |
| Dimensions | 65.5 x 50.5 cm (h x w) |
| Signed | Hand signed |
| Support | Board |
Marlies Noordkamp-Drummen (1946) The supervisor
| Technique | Bronze |
| Dimensions | 15 x 9 x 6 cm (h x w x d) |
| Weight | 930 g |
| Signed | Unsigned/Print signed |
Frans Helfferich (1871-1941) Street with people
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 58 x 45 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Bernhard Schmitz (1876-1927) 
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 40 x 34 cm (h x w) |
| Signed | Hand signed |
| Support | Board |
Jos van de Pol (1951-2004) the ditch along the road
| Technique | Etching |
| Framed | Framed |
| Dimensions | 51 x 40 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Iris Slock (1962) Ecstasy
| Technique | Acrylic |
| Framed | On stretcher |
| Dimensions | 120 x 150 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Theo Elfrink (1923-2014) Severe weather
| Technique | Aquarelle |
| Framed | Framed |
| Dimensions | 52 x 63 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Marianne Bey (1950) Fruit & Wine
| Technique | Mixed media |
| Framed | On stretcher |
| Dimensions | 100 x 100 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Cor Wiersma (1927) Lonely man
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 61.5 x 61.5 cm (h x w) |
| Signed | Hand signed |
| Support | Panel |
Cornelis Brandenburg (1884-1954) Keizersgracht - Reguliersgracht Amsterdam.
| Technique | Pen (Ink) |
| Framed | Only in Passe-partout |
| Dimensions | 42 x 53 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Theo Boons (1926-2013) composition in relief
| Technique | Mixed media |
| Framed | Framed |
| Dimensions | 38 x 55 cm (h x w) |
| Signed | Hand signed |
| Support | Panel |
Unknown Hay barn at
| Technique | Oil paint |
| Dimensions | 43 x 50 cm (h x w) |
| Support | Hardboard |
Jacqueline Blewanus (1939) Corpus
| Technique | Mixed media |
| Framed | Framed |
| Dimensions | 80 x 100 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Jan Snoeck (1927-2018) The chair
| Technique | Silkscreen |
| Framed | Framed |
| Dimensions | 37 x 37 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Jean Adams (1899-1970) Tree in landscape
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 60 x 50 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Cornelis Brandenburg (1884-1954) Brouwersgracht in winter
| Technique | Pen (Ink) |
| Framed | Only in Passe-partout |
| Dimensions | 26 x 31 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Trees Suringh (1930) Day of Destruction
| Technique | Oil paint |
| Framed | On stretcher |
| Dimensions | 105 x 85 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Pierre Alechinsky (1927) The Volturno I, II, III
| Technique | Lithograph |
| Framed | Framed |
| Dimensions | 110 x 80 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |