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Armando (1929-2018) 
| Technique | Giclée |
| Dimensions | 64 x 61 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Jean-Pierre Tack (1941-2025) 
| Technique | Pen (Ink) |
| Framed | Framed |
| Dimensions | 50 x 40 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Herman Moerkerk (1879-1949) Self-portrait
| Technique | Charcoal |
| Framed | Only in Passe-partout |
| Dimensions | 49 x 35 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Rik Slabbinck (1914-1991) Naked lady
| Technique | Pastel/Crayon |
| Framed | Framed |
| Dimensions | 50 x 40 cm (h x w) |
| Signed | Hand signed |
| Support | Cardboard |
Frans Manders (1939) Landscape with trees.
| Technique | Etching |
| Framed | Framed |
| Dimensions | 24.5 x 22 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Montserrat Gudiol (1933-2015) 
| Technique | Lithograph |
| Framed | Framed |
| Dimensions | 85 x 69 cm (h x w) |
| Signed | Hand signed |
| Support | Handmade Paper |
Anneke Peereboom (1950) a screen print "Luce del Giorno III" produced in a limited edition of 100
| Technique | Silkscreen |
| Dimensions | 40 x 60 cm (h x w) |
| Signed | Hand signed |
| Support | Handmade Paper |
Lita van Engelenhoven (1948) Table with three apples
| Technique | Aquarelle |
| Framed | Framed |
| Dimensions | 34 x 36 cm (h x w) |
| Signed | Hand signed |
| Support | Cardboard |
Edmond Joseph Ramus (1822-1890) 
| Technique | Serigraph |
| Framed | Framed |
| Dimensions | 72 x 62 cm (h x w) |
| Signed | Unsigned/Print signed |
Theo Molkenboer (1871-1920) Bookbinder. Woodcut from Wendingen. Framed.
| Technique | Wood/Linocut |
| Framed | Framed |
| Dimensions | 27 x 21 cm (h x w) |
| Signed | Unsigned/Print signed |
Gino Vistosi (1925-1980) 
| Dimensions | 45 x 58 cm (h x w) |
| Weight | 8500 g |
| Signed | Unmarked |
Herman Gordijn (1932-2017) Lida on roller skates
| Technique | Lithograph |
| Framed | Framed |
| Dimensions | 80.5 x 60.5 cm (h x w) |
| Signed | Hand signed |
| Support | Handmade Paper |
Jacob Herskind (1958) 
| Technique | Silkscreen |
| Dimensions | 68.5 x 84.5 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Felicien Rops (1833-1898) three books and map
| Technique | Soft cover |
| Dimensions | 28 x 23 cm (h x w) |
Gigi Pedroli (1932) In Amore
| Technique | Etching/Aquatint |
| Dimensions | 25 x 17.5 cm (h x w) |
| Signed | Unsigned/Print signed |
Jan Peter van Opheusden (1941-2024) Vis Banquet
| Technique | Acrylic |
| Framed | Framed |
| Dimensions | 116 x 106 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Jan Peter van Opheusden (1941-2024) the Bride
| Technique | Acrylic |
| Framed | Framed |
| Dimensions | 105 x 95 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Joke Maan (1945) sunny landscape
| Technique | Mixed media |
| Framed | Framed |
| Dimensions | 102 x 102 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Rene Magritte (1898-1967) (naar), The Castle of the Pyrenees, Lithograph
| Technique | Lithograph |
| Dimensions | 60 x 45 cm (h x w) |
| Signed | Unsigned/Print signed |
Panamarenko (1940-2019) Submarine Tahama and Scotch Gambit - SMAK Ghent - Hand-signed - Large
| Technique | Offset |
| Framed | Framed |
| Dimensions | 169 x 128 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Wesley Meuris (1977) Gallery of Museum Rooms - 3x Handgesigneerd
| Technique | Offset |
| Dimensions | 71 x 50 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Bartolomeo Pinelli (1781-1835) Bartolomeo Pinelli (1781–1835) – 4 etchings from Istoria Romana – 1817–1819
| Technique | Etching/Aquatint |
| Dimensions | 44 x 58 cm (h x w) |
| Signed | Unsigned/Print signed |
Lee Reynolds Burr (1936) 
| Technique | Mixed media |
| Dimensions | 100 x 100 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Klaas Gubbels (1934) King's seats
| Technique | Stencil print |
| Dimensions | 65 x 50 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Rene Jansen (1956-2022) Wisteria
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 51 x 31 cm (h x w) |
| Signed | Hand signed |
| Support | Panel |
Corrie Leushuis (1952) Evening
| Technique | Oil paint |
| Framed | On stretcher |
| Dimensions | 40 x 50 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Ru van Rossem (1924-2007) Romance de la pena negra
| Technique | Etching/Aquatint |
| Framed | Framed |
| Dimensions | 101 x 71 cm (h x w) |
| Signed | Hand signed |
| Support | Handmade Paper |
Maurice Langaskens (1884-1946) "La fuite des heures"
| Technique | Etching |
| Dimensions | 50 x 38 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Dariusz Klimczak (1967-2023) 
| Technique | C-Print |
| Dimensions | 34 x 30 cm (h x w) |
| Signed | Unsigned/Print signed |
Peter Donkersloot (1959) Marilyn Monroe – Limited Edition 2/50
| Technique | Mixed media |
| Framed | Framed |
| Dimensions | 93 x 80 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Dominic Rouse (1959) 
| Technique | C-Print |
| Dimensions | 30.5 x 38.1 cm (h x w) |
| Signed | Hand signed |
Pfeiffer (1995-2002) paperweights with trapped air bubbles
| Dimensions | 8 x 8 x 8 cm (h x w x d) |
| Weight | 740 g |
| Signed | Marked/Brand sticker |
Lucebert (1924-1994) 'Meester' (Koppermaandagprent, ingelijst)
| Technique | Etching/Aquatint |
| Framed | Framed |
| Dimensions | 50 x 63 cm (h x w) |
| Signed | Unsigned/Print signed |
Balthasar Friedrich Leizel (1750-1800) The Port of Marseille
| Technique | Serigraph |
| Framed | Framed |
| Dimensions | 42 x 51 cm (h x w) |
| Signed | Unsigned/Print signed |
Adriaan Rees (1957) Glazed ceramic - Connection ('The shining')
| Technique | Mixed media |
| Dimensions | 15 x 14 x 14 cm (h x w x d) |
| Weight | 950 g |
| Signed | Hand signed |
Balthasar Friedrich Leizel (1750-1800) Die von den Spaniern bloquirte Vestung
| Technique | Serigraph |
| Framed | Framed |
| Dimensions | 40 x 50 cm (h x w) |
| Signed | Unsigned/Print signed |
Wilfried Lansink (1963) Untitled
| Technique | Silkscreen |
| Framed | Framed |
| Dimensions | 43 x 63 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Rik Wouters (1882-1916) A chronicle & 'In Amsterdam'
| Technique | Hardcover |
| Dimensions | 30 x 25 cm (h x w) |
Marcel Schellekens (1954) Relaxed beach scene with a lady in a beach chair
| Technique | Silkscreen |
| Framed | Framed |
| Dimensions | 122 x 102 cm (h x w) |
| Signed | Unsigned/Print signed |
Folkert Haanstra (jr.) (1920-1985) Blue fence
| Technique | Aquarelle |
| Framed | Framed |
| Dimensions | 30 x 24 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Ursula Huber (1952) “EGO”.
| Technique | Glass |
| Dimensions | 28 x 25 x 12 cm (h x w x d) |
| Weight | 13200 g |
| Signed | Hand signed |
Ton Frenken (1930-2004) UNTITLED (PRICE REDUCTION)
| Technique | Oil paint |
| Dimensions | 126 x 95 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Lucebert (1924-1994) Untitled
| Technique | Mixed media |
| Dimensions | 50 x 65 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Walter Goossens (1943) Enormous oil on canvas still life "designer (hanging) lamps" signed
| Technique | Oil paint |
| Framed | On stretcher |
| Dimensions | 188 x 157 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Panamarenko (1940-2019) Raven variable matrix - Original and hand-signed - recto and verso
| Technique | Pen (Ink) |
| Framed | Framed |
| Dimensions | 24 x 34 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Drago Prelog (1939-2020) 
| Technique | Acrylic |
| Framed | On stretcher |
| Dimensions | 70 x 80 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Frans Langeveld (1877-1939) Dutch Landscape
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 122 x 102 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Jan Altink (1885-1971) Heathland landscape in Groningen
| Technique | Aquarelle |
| Framed | Framed |
| Dimensions | 58 x 76 cm (h x w) |
| Support | Canvas |
Anton Corbijn (1955) Beautiful signed photo of the legendary Lance Armstrong 1/1 UNIQUE !!
| Technique | Silver print (Classical Photo) |
| Framed | Framed |
| Dimensions | 64 x 63 cm (h x w) |
| Signed | Hand signed |