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Martin Sjardijn (1947) 
| Technique | Mixed media |
| Dimensions | 20 x 20 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Martin Sjardijn (1947) drawing 3
| Technique | Mixed media |
| Dimensions | 20 x 20 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Martin Sjardijn (1947) drawing 4
| Technique | Mixed media |
| Dimensions | 20 x 20 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Martin Sjardijn (1947) drawing 5
| Technique | Mixed media |
| Dimensions | 20 x 20 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Jan Willem Versteeg (1952) The Bridge
| Technique | Oil paint |
| Dimensions | 45 x 60 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Geert Geerligs (1919-1989) Standing Female Nude II
| Technique | Pastel/Crayon |
| Framed | Framed |
| Dimensions | 73.5 x 53.5 cm (h x w) |
| Support | Paper |
Geert Geerligs (1919-1989) Standing female nude I
| Technique | Pastel/Crayon |
| Framed | Framed |
| Dimensions | 73.5 x 53.5 cm (h x w) |
| Support | Paper |
Masao Ido (1945-2016) 
| Technique | Wood/Linocut |
| Dimensions | 33.3 x 45.3 cm (h x w) |
| Signed | Hand signed |
| Support | Japanese Paper |
Cornelis Kloos (1895-1976) In Dreamland - Oil paint
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 67 x 47 cm (h x w) |
| Signed | Hand signed |
| Support | Marouflé |
Noor Sternheim (1943) HMS Fearless
| Technique | Etching/Aquatint |
| Framed | Framed |
| Dimensions | 65 x 50 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Masao Ido (1945-2016) Shodoshima Olive Garden
| Technique | Wood/Linocut |
| Dimensions | 26 x 38 cm (h x w) |
| Signed | Hand signed |
| Support | Japanese Paper |
J.J. van Tuyl (1894-1984) Seascape with portrait of a boy by the sea 1937
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 52 x 42 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Jan Kind (1960) Untitled, Reverence number: GN051
| Technique | Mixed media |
| Dimensions | 179 x 160 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Anton Muller (1878-1979) 
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 45 x 33 cm (h x w) |
| Signed | Hand signed |
| Support | Panel |
Marjolijn Mandersloot (1959) United guts
| Technique | Silkscreen |
| Dimensions | 65 x 50 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Jos van der Sommen (1961) On the border
| Technique | Silkscreen |
| Dimensions | 43 x 63.5 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Reinder Homan (1950) The Lauwers - Etching
| Technique | Etching |
| Dimensions | 5 x 29.5 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Jos van der Sommen (1961) Putting things in order
| Technique | Silkscreen |
| Dimensions | 40 x 60 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Jos van der Sommen (1961) No title
| Technique | Silkscreen |
| Dimensions | 40 x 31 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Death NYC (1979) 
| Technique | Mixed media |
| Dimensions | 7 x 16 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Jos van der Sommen (1961) No title
| Technique | Silkscreen |
| Dimensions | 28.5 x 36 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Andries Mesman (1954) The lecturer
| Technique | Silkscreen |
| Dimensions | 80 x 60 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Death NYC (1979) Collage on American Dollar | 'Brigitte Bardot/Chanel no.5' | 2015
| Technique | Mixed media |
| Dimensions | 7 x 16 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
14-karat gold ring with blue topaz and diamonds
| Technique | Gold |
| Dimensions | 0.9 x 0.1 cm (h x w) |
| Weight | 2.1 g |
| Signed | Dutch hallmark |
Roberto Ollivero (1949) 
| Technique | Other |
| Dimensions | 3000 x 100 x 100 cm (h x w x d) |
| Weight | 49997 g |
| Signed | Hand signed |
Willem van Veldhuizen (1954) Minimalist Dutch interior, lithograph
| Technique | Lithograph |
| Dimensions | 56 x 76 cm (h x w) |
Cor Basart (1915-1991) Amsterdam
| Technique | Pencil |
| Dimensions | 7 x 5 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
18k gold ring with opal surrounded by brilliant-cut diamonds up to 1.05ct
| Technique | Gold |
| Dimensions | 0.78 x 2.7 cm (h x w) |
| Weight | 9.9 g |
| Signed | Dutch hallmark |
RETRO 18k bicolour gold ring with brilliant-cut diamond up to 0.25ct
| Technique | Gold |
| Dimensions | 0.55 x 1 cm (h x w) |
| Weight | 7.4 g |
| Signed | Dutch hallmark |
Jan van Heel (1898-1990) Spanish landscape
| Technique | Gouache |
| Framed | Framed |
| Dimensions | 60 x 71 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Henry Schouten (1857-1927) Horses and figures
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 130 x 175 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
18k gold brooch in the shape of a flower with a single-cut diamond
| Technique | Gold |
| Dimensions | 3.8 x 3.3 cm (h x w) |
| Weight | 11.5 g |
| Signed | Dutch hallmark |
18k bicolour earrings set with rose-cut diamonds 0.25ct
| Technique | Gold |
| Dimensions | 2.8 x 0.7 cm (h x w) |
| Weight | 3.3 g |
| Signed | No hallmark |
18k bicolour gold stud earrings set with brilliant-cut diamonds up to 0.10ct
| Technique | Gold |
| Dimensions | 1.3 x 0.74 cm (h x w) |
| Weight | 2.8 g |
| Signed | Dutch hallmark |
Eelco Glastra van Loon (1935) non conformist - 1971 - limited edition (40) Etching - ZT - signed
| Technique | Etching |
| Framed | Only in Passe-partout |
| Dimensions | 25 x 35 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
18k white gold drop earrings with pearl and brilliant-cut diamond up to 0.40 ct
| Technique | Gold |
| Dimensions | 1.9 x 0.8 cm (h x w) |
| Weight | 3.6 g |
| Signed | Dutch hallmark |
Jan Toorop (1858-1928) Toorop design
| Technique | Lithograph |
| Framed | Framed |
| Dimensions | 37 x 37 cm (h x w) |
| Signed | Unsigned/Print signed |
Sjer Jacobs (1963) Bronze woman seated
| Technique | Bronze |
| Dimensions | 14 x 5 x 5 cm (h x w x d) |
| Weight | 786 g |
| Signed | Hand signed |
18k gold clasp with pearl and garnet bead necklace - 42 cm
| Technique | Gold |
| Dimensions | 0.6 x 1.7 cm (h x w) |
| Weight | 14.6 g |
| Signed | Dutch hallmark |
Maria Jose Lopez y Lopez (1951) 
| Technique | Lithograph |
| Dimensions | 30 x 37 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Reinier Lucassen (1939-2025) ‘TWO’ - mixed media on paper - 1985.
| Technique | Mixed media |
| Framed | Framed |
| Dimensions | 51 x 57 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Jan Jans (1872-1943) Twilight in Zoutelande.
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 66 x 90 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Jasper Banen (1962) Harlequin's coat.
| Technique | Acrylic |
| Framed | Framed |
| Dimensions | 83 x 83 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
14k yellow gold necklace with pendant with diamonds up to 0.30 ct - 45cm
| Technique | Gold |
| Dimensions | 1.7 x 0.8 cm (h x w) |
| Weight | 3.9 g |
| Signed | Dutch hallmark |
Jef Verheyen (1932-1984) Retrospective 1932 - 1984
| Technique | Soft cover |
| Dimensions | 30 x 24 cm (h x w) |
Richard Richèse Thumbs Up
| Technique | Bronze |
| Pedestal | With fixed pedestal |
| Dimensions | 14 x 8 x 4 cm (h x w x d) |
| Weight | 1021 g |
| Signed | Hand signed |
Alfons Van Beurden (1878-1962) Napoleon Dock
| Technique | Oil paint |
| Framed | Framed |
| Dimensions | 65 x 84 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Jan Sluijters (1881-1957) Book illustration "Wilde Vinerd"
| Technique | Aquarelle |
| Framed | Framed |
| Dimensions | 42 x 34 cm (h x w) |
| Signed | Hand signed |
| Support | Paper |
Cora van Vliet (1955-2006) no
| Technique | Oil paint |
| Dimensions | 85 x 60 cm (h x w) |
| Signed | Hand signed |
| Support | Canvas |
Dominique Bordenave (1960) 
| Technique | Other |
| Pedestal | With fixed pedestal |
| Dimensions | 46 x 24.5 x 13.5 cm (h x w x d) |
| Weight | 1020 g |
| Signed | Hand signed |