2 typical Kurt Peiser works
1. Family watching a ship depart
Kurt Peiser (1887–1962) – Original etching (aquaforte), signed “K. Peiser”
Atmospheric Belgian etching showing a family on the quay watching a steamship depart, its smoke cutting through the sky — a classic early-20th-century theme of departure, work, and migration linked to Antwerp’s port life. Strong plate tone, confident cross-hatching, and expressive silhouettes typical of Peiser’s socially engaged graphic work.
Signed in pencil “K. Peiser” below the plate mark; also signed in the plate at lower right (see close-up). Framed. Paper shows age-related toning/foxing consistent with period.
2. Mother and child on a bench (intimist scene)
Kurt Peiser (1887–1962) – Original etching, signed “K. Peiser”
Quiet, intimate scene of a woman nursing/holding a child on a bench with a village façade behind — an “intimist” subject rendered with fine etched line and delicate shading. Excellent example of Peiser’s humanist observation and graphic skill.
Signed in pencil “K. Peiser” below the image. Framed. Visible plate mark; paper shows toning typical of vintage etchings.